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Eugene Oneill American Academy of Arts and Letters Gold Medal for Drama

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American playwright, and Nobel laureate in Literature

Eugene O'Neill
Portrait of O'Neill by Alice Boughton

Portrait of O'Neill past Alice Boughton
Born Eugene Gladstone O'Neill
(1888-10-16)October xvi, 1888
New York Metropolis, New York, U.Due south.
Died Nov 27, 1953(1953-11-27) (aged 65)
Boston, Massachusetts, U.S.
Occupation Playwright
Notable awards Nobel Prize in Literature (1936)
Pulitzer Prize for Drama (1920, 1922, 1928, 1957)
Spouse

Kathleen Jenkins

​

​

(m. 1909; div. 1912)​


Agnes Boulton

​

​

(m. 1918; div. 1929)​


Carlotta Monterey

​

​

(m. 1929)​
Children
  • Eugene O'Neill Jr.
  • Shane O'Neill
  • Oona O'Neill
Relatives
  • James O'Neill (begetter)
  • Mary Ellen Quinlan (mother)
  • Geraldine Chaplin (granddaughter)
  • Oona Chaplin (great granddaughter)
Signature

Eugene Gladstone O'Neill (October 16, 1888 – November 27, 1953) was an American playwright and Nobel laureate in literature. His poetically titled plays were among the first to introduce into the U.South. the drama techniques of realism before associated with Russian playwright Anton Chekhov, Norwegian playwright Henrik Ibsen, and Swedish playwright August Strindberg. The tragedy Long Solar day's Journeying into Night is often numbered on the short listing of the finest U.Due south. plays in the 20th century, alongside Tennessee Williams'southward A Streetcar Named Desire and Arthur Miller'southward Death of a Salesman.[1]

O'Neill's plays were amid the offset to include speeches in American English vernacular and involve characters on the fringes of lodge. They struggle to maintain their hopes and aspirations, but ultimately slide into disillusion and despair. Of his very few comedies, but one is well-known (Ah, Wilderness!).[2] [3] Nearly all of his other plays involve some degree of tragedy and personal pessimism.

Early on life [edit]

O'Neill was born in a hotel, the Barrett House, at Broadway and 43rd Street, on what was then Longacre Square (now Times Square).[iv] A commemorative plaque was beginning dedicated there in 1957.[four] [5] The site is at present occupied past 1500 Broadway, which houses offices, shops and the ABC Studios.[half-dozen]

Portrait of O'Neill as a kid, c. 1893

Birthplace plaque (1500 Broadway, northeast corner of 43rd and Broadway, New York City), presented by Circumvolve in the Square.

He was the son of Irish immigrant actor James O'Neill and Mary Ellen Quinlan, who was also of Irish descent. His father suffered from alcoholism; his mother from an addiction to morphine, prescribed to relieve the pains of the difficult birth of Eugene, who was her third son.[7] Because his father was often on bout with a theatrical company, accompanied past Eugene's mother, in 1895 O'Neill was sent to St. Aloysius Academy for Boys, a Catholic boarding school in the Riverdale section of the Bronx.[8] In 1900, he became a 24-hour interval student at the De La Salle Institute on 59th Street in Manhattan.[9]

The O'Neill family reunited for summers at the Monte Cristo Cottage in New London, Connecticut. He also briefly attended Betts Academy in Stamford.[ten] He attended Princeton University for one year. Accounts vary as to why he left. He may have been dropped for attending likewise few classes,[11] been suspended for "conduct lawmaking violations",[12] or "for breaking a window",[thirteen] or co-ordinate to a more than concrete but possibly apocryphal account, considering he threw "a beer canteen into the window of Professor Woodrow Wilson", the future president of the United States.[14]

O'Neill spent several years at bounding main, during which he suffered from depression and alcoholism. Despite this, he had a deep beloved for the sea and it became a prominent theme in many of his plays, several of which are attack lath ships like those on which he worked. O'Neill joined the Marine Transport Workers Spousal relationship of the Industrial Workers of the World (IWW), which was fighting for improved living weather condition for the working class using quick 'on the job' directly action.[15] O'Neill'southward parents and elder brother Jamie (who drank himself to death at the age of 45) died within three years of 1 another, not long after he had begun to make his mark in the theater.

Career [edit]

After his experience in 1912–13 at a sanatorium where he was recovering from tuberculosis, he decided to devote himself total-time to writing plays (the events immediately prior to going to the sanatorium are dramatized in his masterpiece, Long Day'south Journey into Night).[9] O'Neill had previously been employed by the New London Telegraph, writing poetry likewise equally reporting. In the autumn of 1914, he entered Harvard University to attend a grade in dramatic technique given past Professor George Baker. He left later on one year.[9]

O'Neill'southward outset play, Leap East for Cardiff, premiered at this theatre on a wharf in Provincetown, Massachusetts.

During the 1910s O'Neill was a regular on the Greenwich Village literary scene, where he also befriended many radicals, most notably Communist Labor Party of America founder John Reed. O'Neill also had a brief romantic relationship with Reed's wife, writer Louise Bryant.[16] O'Neill was portrayed by Jack Nicholson in the 1981 motion picture Reds, about the life of John Reed; Louise Bryant was portrayed past Diane Keaton. His interest with the Provincetown Players began in mid-1916. Terry Carlin reported that O'Neill arrived for the summer in Provincetown with "a body total of plays", but this was an exaggeration.[ix] Susan Glaspell describes a reading of Bound Eastward for Cardiff that took place in the living room of Glaspell and her husband George Cram Melt'due south dwelling on Commercial Street, adjacent to the wharf (pictured) that was used by the Players for their theater: "And then Cistron took Bound East for Cardiff out of his trunk, and Freddie Burt read information technology to us, Gene staying out in the dining-room while reading went on. He was not left alone in the dining-room when the reading had finished."[17] The Provincetown Players performed many of O'Neill'south early on works in their theaters both in Provincetown and on MacDougal Street in Greenwich Hamlet. Some of these early plays, such as The Emperor Jones, began downtown then moved to Broadway.[ix] In an early comedy play, The Web. written in 1913, O'Neill first explored the darker themes that he later on thrived on. Here he focused on the brothel world and the lives of prostitutes, which likewise play a office in some fourteen of his later plays.[18] In particular, he memorably included the birth of an infant into the world of prostitution. At the fourth dimension, such themes constituted a huge innovation, as these sides of life had never before been presented with such success.

O'Neill's first published play, Beyond the Horizon, opened on Broadway in 1920 to great acclaim, and was awarded the Pulitzer Prize for Drama. His start major striking was The Emperor Jones, which ran on Broadway in 1920 and obliquely commented on the U.S. occupation of Haiti that was a topic of debate in that yr'due south presidential election.[xix] His best-known plays include Anna Christie (Pulitzer Prize 1922), Want Under the Elms (1924), Strange Interlude (Pulitzer Prize 1928), Mourning Becomes Electra (1931), and his only well-known comedy, Ah, Wilderness!,[iii] [20] a wistful re-imagining of his youth every bit he wished it had been.

In 1936, O'Neill received the Nobel Prize in Literature after he had been nominated that year by Henrik Schück, member of the Swedish Academy.[21] O'Neill was greatly influenced by the piece of work of Swedish writer August Strindberg,[22] and upon receiving the Nobel Prize, dedicated much of his acceptance speech to describing Strindberg'due south influence on his work.[23] In conversation with Russel Crouse, O'Neill said that "the Strindberg function of the speech is no 'telling tale' to please the Swedes with a polite gesture. Information technology is absolutely sincere. [...] And it'due south absolutely truthful that I am proud of the opportunity to admit my debt to Strindberg thus publicly to his people".[24] Before the speech was sent to Stockholm, O'Neill read it to his friend Sophus Keith Winther. As he was reading, he suddenly interrupted himself with the comment: "I wish immortality were a fact, for and so some day I would run across Strindberg". When Winther objected that "that would scarcely exist enough to justify immortality", O'Neill answered apace and firmly: "It would be enough for me".[25]

After a ten-twelvemonth pause, O'Neill's now-renowned play The Iceman Cometh was produced in 1946. The post-obit twelvemonth's A Moon for the Misbegotten failed, and information technology was decades before coming to exist considered as amongst his best works.[ commendation needed ]

Fourth dimension Encompass, March 17, 1924

He was also part of the modern movement to partially revive the classical heroic mask from ancient Greek theatre and Japanese Noh theatre in some of his plays, such as The Groovy God Brown and Lazarus Laughed. [26]

Family life [edit]

O'Neill was married to Kathleen Jenkins from October 2, 1909, to 1912, during which time they had 1 son, Eugene O'Neill, Jr. (1910–1950). In 1917, O'Neill met Agnes Boulton, a successful author of commercial fiction, and they married on April 12, 1918. They lived in a home endemic by her parents in Point Pleasant, New Bailiwick of jersey, after their marriage.[27] The years of their marriage—during which the couple lived in Connecticut and Bermuda and had 2 children, Shane and Oona—are described vividly in her 1958 memoir Part of a Long Story. They divorced on July two, 1929, after O'Neill abandoned Boulton and the children for the actress Carlotta Monterey (born San Francisco, California, December 28, 1888; died Westwood, New Jersey, November xviii, 1970). O'Neill and Carlotta married less than a month after he officially divorced his previous wife.[28]

In 1929, O'Neill and Monterey moved to the Loire Valley in key France, where they lived in the Château du Plessis in Saint-Antoine-du-Rocher, Indre-et-Loire. During the early on 1930s they returned to the United States and lived in Sea Island, Georgia, at a firm called Casa Genotta. He moved to Danville, California in 1937 and lived there until 1944. His house at that place, Tao Business firm, is today the Eugene O'Neill National Historic Site.

In their first years together, Monterey organized O'Neill's life, enabling him to devote himself to writing. She later became addicted to potassium bromide, and the marriage deteriorated, resulting in a number of separations, although they never divorced.

In 1943, O'Neill disowned his daughter Oona for marrying the English actor, director, and producer Charlie Chaplin when she was 18 and Chaplin was 54. He never saw Oona over again.

He also had distant relationships with his sons. Eugene O'Neill Jr., a Yale classicist, suffered from alcoholism and committed suicide in 1950 at the historic period of 40. Shane O'Neill became a heroin addict and moved into the family unit home in Bermuda, Spithead, with his new married woman, where he supported himself by selling off the furnishings. He was disowned by his father before too committing suicide (by jumping out of a window) a number of years later. Oona ultimately inherited Spithead and the connected estate (afterwards known as the Chaplin Estate).[29] In 1950 O'Neill joined The Lambs, the famed theater guild.

Kid Date of birth Appointment of death
Eugene O'Neill Jr. May 5, 1910 September 25, 1950
Shane O'Neill Oct 30, 1919 June 23, 1977
Oona O'Neill May 14, 1925 September 27, 1991

Illness and death [edit]

Subsequently suffering from multiple health problems (including depression and alcoholism) over many years, O'Neill ultimately faced a severe Parkinsons-like tremor in his hands which made it impossible for him to write during the last 10 years of his life; he had tried using dictation but found himself unable to compose in that manner.[ citation needed ] While at Tao House, O'Neill had intended to write a cycle of 11 plays chronicling an American family since the 1800s.[ citation needed ] Just ii of these, A Impact of the Poet and More than Stately Mansions, were ever completed. Every bit his health worsened, O'Neill lost inspiration for the projection and wrote three largely autobiographical plays, The Iceman Cometh, Long Solar day'due south Journeying into Night, and A Moon for the Baseborn. He managed to complete Moon for the Misbegotten in 1943, only before leaving Tao Firm and losing his power to write. Drafts of many other uncompleted plays were destroyed by Carlotta at Eugene's request.[ citation needed ]

O'Neill stamp issued in 1967

O'Neill died in Room 401 of the Sheraton Hotel (now Boston University's Kilachand Hall) on Bay Land Road in Boston, on November 27, 1953, at the age of 65. Every bit he was dying, he whispered his last words: "I knew information technology. I knew it. Born in a hotel room and died in a hotel room."[30]

Dr. Harry Kozol, the prosecution's atomic number 82 expert in the Patty Hearst trial, treated O'Neill during these last years of illness.[31] He also was present for O'Neill'due south death and appear the fact to the public.[32]

O'Neill is interred in the Forest Hills Cemetery in Boston's Jamaica Plain neighborhood.

In 1956 Carlotta arranged for his autobiographical play Long Day's Journey into Night to be published, although his written instructions had stipulated that it not be made public until 25 years afterwards his death. It was produced on stage to tremendous critical acclamation and won the Pulitzer Prize in 1957.[33] This last play is widely considered to be his finest. Other posthumously-published works include A Affect of the Poet (1958) and More Stately Mansions (1967).

In 1967, the United States Postal Service honored O'Neill with a Prominent Americans series (1965–1978) $1 postage stamp.

Only in 2000 was it discovered that he died of cerebellar cortical atrophy, a rare form of brain deterioration unrelated to either booze utilize or Parkinson's disease.[34]

Legacy [edit]

In Warren Beatty's 1981 film Reds, O'Neill is portrayed by Jack Nicholson, who was nominated for the Academy Accolade for All-time Supporting Actor for his performance.

George C. White founded the Eugene O'Neill Theatre Center in Waterford, Connecticut in 1964.[35]

Eugene O'Neill is a member of the American Theater Hall of Fame.[36]

O'Neill is referenced past Upton Sinclair in The Cup of Fury (1956), by J.Thousand. Simmons' graphic symbol in Whiplash (2014), and by Tony Stark in Avengers: Age of Ultron (2015), specifically Long Day's Journey into Night.

O'Neill is referred to in Moss Hart's 1959 book Act One, later on a Broadway play.

Museums and collections [edit]

O'Neill's domicile in New London, Monte Cristo Cottage, was fabricated a National Historic Landmark in 1971. His abode in Danville, California, about San Francisco, was preserved as the Eugene O'Neill National Historic Site in 1976.

Connecticut Higher maintains the Louis Sheaffer Collection, consisting of material nerveless past the O'Neill biographer. The chief drove of O'Neill papers is at Yale University. The Eugene O'Neill Theater Center in Waterford, Connecticut fosters the development of new plays nether his name.

There is also a theatre in New York City named after him located at 230 West 49th Street in midtown-Manhattan. The Eugene O'Neill Theatre has housed musicals and plays such every bit Yentl, Annie, Grease, One thousand. Butterfly, Spring Awakening, and The Volume of Mormon.

Work [edit]

Other works [edit]

  • Tomorrow, 1917. A Small Story published in The 7 Arts, Vol. Ii, No. 8 in June 1917.[39]
  • The Final Will and Attestation of an Extremely Distinguished Canis familiaris, 1940. Written to comfort Carlotta every bit their "child" Blemie was approaching his death in December 1940.[40]

See also [edit]

  • The Eugene O'Neill Accolade

References [edit]

  1. ^ Harold Bloom (2007). Introduction. In: Bloom (Ed.), Tennessee Williams, updated edition. Infobase Publishing. p. 2.
  2. ^ The New York Times, August 25, 2003: 'Next year Playwrights Theater will present an unproduced O'Neill one-act, Now I Ask You, a comic spin on Ibsen'south Hedda Gabler."
  3. ^ a b c The Eugene O'Neill Foundation newsletter: "Now I Inquire You, forth with The Moving-picture show Human being, ... is the merely surviving comedy from O'Neill'southward early years."
  4. ^ a b Gelb, Arthur (Oct 17, 1957). "O'Neill's Birthplace Is Marked By Plaque at Times Square Site". The New York Times. p. 35. Retrieved November 13, 2008.
  5. ^ Simonson, Robert (July 23, 2012). "Ask Playbill.com: A Question About Eugene O'Neill'due south Birthplace, in a Broadway Hotel". Playbill . Retrieved November 8, 2016.
  6. ^ Henderson, Kathy (Apr 21, 2009). "The Tragic Roots of Eugene O'Neill'southward Want Under the Elms". Broadway.com. Retrieved November 8, 2015.
  7. ^ Londré, Felicia (2016). "Eugene O'neill: A Life in 4 Acts by Robert K. Dowling, and: Eugene O'neill: The Contemporary Reviews ed. by Jackson R. Bryer and Robert Thousand. Dowiling (review)". Theatre History Studies. 35: 351–353. doi:10.1353/ths.2016.0027. S2CID 193596557.
  8. ^ "Eugene O'Neill". American Society of Authors and Writers.
  9. ^ a b c d due east Dowling, Robert M., Eugene O'Neill: A Life in 4 Acts, Yale University Press, 2014 ISBN 9780300170337
  10. ^ "Spelled Freedom" From: Stamford By & Nowadays, 1641 – 1976 The Commemorative Publication of the Stamford Bicentennial Commission (Stamford Historical Lodge)
  11. ^ Manheim, Michael, ed. (1998). The Cambridge Companion to Eugene O'Neil. Cambridge: Cambridge University Press. p. 97.
  12. ^ Bloom, Steven F. (2007). Educatee Companion to Eugene O'Neil. Westport: Greenwood Press. p. three.
  13. ^ Abbotson, Susan C.West. (2005). Masterpieces of 20th-Century American Drama. Westport: Greenwood Press. p. 8.
  14. ^ O'Neill, Eugene (1959). Ah, Wilderness!. Frankfurt am Principal: Hirschgraben-Verlag. p. 3.
  15. ^ Patrick Murfin (Oct 16, 2012). "The Sailor Who Became "America's Shakespeare"". Heretic, Rebel, a Thing to Flout. Retrieved November 8, 2016.
  16. ^ Dearborn, Mary V. (1996). Queen of Bohemia: The Life of Louise Bryant . New York: Houghton Mifflin Company. p. 52. ISBN978-0-395-68396-5.
  17. ^ Glaspell, Susan (1941) [1927]. The Route to the Temple (2nd ed.). New York: Frederick A. Stokes. p. 255.
  18. ^ "The Web by Eugene O'Neill." Sex activity for Sale: Six Progressive-Era Brothel Dramas, past Katie N. Johnson, Academy of Iowa Press, IOWA Urban center, 2015, pp. xv–29. JSTOR.
  19. ^ Renda, Mary (2001). Taking Haiti: War machine Occupation and the Culture of U.South. Imperialism . Chapel Hill: University of North Carolina Press. pp. 198–212. ISBN0-8078-4938-3.
  20. ^ van Gelder, Lawrence (August 25, 2003). "Arts Briefing". The New York Times . Retrieved November eight, 2016.
  21. ^ "Nomination Database". Nobelprize.org. Retrieved Nov 8, 2016.
  22. ^ O'Neill, Eugene (February xx, 2013). The Emperor Jones. Courier Corporation. ISBN978-0-486-15960-7.
  23. ^ Eugene O'Neill (December 10, 1936). "Banquet Spoken language". The Nobel Foundation. Retrieved July 12, 2010.
  24. ^ Törnqvist, Egil (January fourteen, 2004). Eugene O'Neill: A Playwright's Theatre. McFarland. ISBN978-0-7864-1713-one.
  25. ^ Törnqvist, Egil (January xiv, 2004). Eugene O'Neill: A Playwright's Theatre. McFarland. ISBN978-0-7864-1713-1.
  26. ^ Smith, Susan Harris (1984). Masks in Modern Drama. Berkeley: University of California Press. pp. 66–70, 106–08, 131–36, index S124. ISBN0-520-05095-ix.
  27. ^ Cheslow, Jerry. "If You're Thinking of Living In/Betoken Pleasant, N.J.; A Borough With a Diversity of Boating", The New York Times, November ix, 2003. Accessed Jan 25, 2015. "The most famous Point Pleasant resident was Eugene O'Neill, who married a local girl named Agnes Boulton and grumbled about being bored through the wintertime of 1918-xix, equally he lived hire free in a dwelling owned by Agnes'south parents.
  28. ^ "Eugene O'Neill Wed to Miss Monterey". The New York Times. July 24, 1929. p. nine. Retrieved November 13, 2008.
  29. ^ "Bermuda'due south Warwick Parish".
  30. ^ Sheaffer, Louis (1973). O'Neill: Son and Artist . Little, Dark-brown & Co. ISBN0-316-78337-iv.
  31. ^ Carey, Benedict (September 1, 2008). "Harry 50. Kozol, Adept in Patty Hearst Trial, Is Dead at 102". The Dispatch. Lexington, N Carolina. Retrieved June 30, 2019.
  32. ^ "Eugene O'Neill Dies of Pneumonia; Playwright, 65, Won Nobel Prize". The New York Times. November 28, 1953. Retrieved November viii, 2016.
  33. ^ "Long Day'due south Journey into Night | play past O'Neill". Encyclopedia Britannica . Retrieved February 24, 2019.
  34. ^ Los Angeles Times, xiii Apr 2000. Retrieved September 10, 2020
  35. ^ "Eugene O'Neill Theatre Eye Website". Retrieved March 4, 2014.
  36. ^ "Theater Hall of Fame members".
  37. ^ Title as in original typescript and title page of Modern Library edition
  38. ^ "Exorcism" . Yale U. Library Acquires Lost Play past Eugene O'Neill. Relate of Higher Instruction. October 19, 2011. Retrieved October 22, 2011. (The play, set in 1912, is based on O'Neill's suicide attempt from an overdose of barbiturates in a Manhattan rooming house. Afterwards its premiere in 1920, O'Neill canceled the production and, it had been idea, destroyed all copies.)
  39. ^ O'Neill, Eugene (1917). The Seven Arts (June 1917 ed.). New York: The Vii Arts Publishing Co. Retrieved March 5, 2020.
  40. ^ O'Neill, Eugene; Yorinks, Adrienne (1999). The Concluding Will and Testament of an Extremely Distinguished Dog (Commencement ed.). New York: Henry Holt and Co. ISBN0-8050-6170-3. Archived from the original on February 23, 2014. Retrieved November 16, 2008.

Further reading [edit]

Editions of O'Neill [edit]

  • O'Neill, Eugene; Bogard, Travis (1988). Complete Plays 1913–1920. The Library of America. Vol. forty. New York: Literary Classics. ISBN0-940450-48-8.
  • O'Neill, Eugene; Bogard, Travis (1988). Consummate Plays 1920–1931. The Library of America. Vol. 41. New York: Literary Classics. ISBN0-940450-49-6.
  • O'Neill, Eugene; Bogard, Travis (1988). Complete Plays 1932–1943. The Library of America. Vol. 42. New York: Literary Classics. ISBN0-940450-50-10.

Scholarly works [edit]

  • Black, Stephen A. (2002). Eugene O'Neill: Beyond Mourning and Tragedy. Yale University printing. ISBN0-300-09399-three.
  • Bryan, George B. and Wolfgang Mieder. 1995. The Proverbial Eugene O'Neill. An Index to Proverbs in the Works of Eugene Gladstone O'Neill. Westport, Connecticut: Greenwood Press.
  • Clark, Barrett H. (Nov 1932). "Aeschylus and O'Neill". The English Journal. XXI (nine): 699–710. doi:x.2307/804473. JSTOR 804473.
  • Clark, Barrett H. (1926). Eugene O'Neill: The Man and His Plays. Dover Publications, Inc. New York.
  • Dowling, Robert M. (2014). Eugene O'Neill: A Life in Four Acts. Yale University Press. ISBN978-0-300-17033-seven.
  • Floyd, Virginia, ed. (1979). Eugene O'Neill: A World View. Frederick Unger. ISBN0-8044-2204-4.
  • Floyd, Virginia (1985). The Plays of Eugene O'Neill: A New Cess . Frederick Unger. ISBN0-8044-2206-0.
  • Gelb, Arthur; Gelb, Barbara (2000). O'Neill: Life with Monte Christo. Applause/Penguin Putnam. ISBN0-399-14912-0.
  • Gelb, Arthur; Gelb, Barbara (2016). By Women Possessed: A Life of Eugene O'Neill. New York: G. P. Putnam's Sons. ISBN978-0-399-15911-4.
  • Sheaffer, Louis (2002) [1968]. O'Neill Volume I: Son and Playwright. Cooper Foursquare Press. ISBN0-8154-1243-6.
  • Sheaffer, Louis (1999) [1973]. O'Neill Book II: Son and Creative person. Cooper Square Press. ISBN0-8154-1244-4.
  • Tiusanen, Timo (1968). O'Neill'southward Scenic Images (Ph.D. thesis, University of Helsinki). Princeton: Princeton University Press. LCCN 68-20882.
  • Wainscott, Ronald H. (1988). Staging O'Neill: The Experimental Years. Yale University Press. ISBN0-300-04152-7.
  • Winther, Sophus Keith (1934). Eugene O'Neill: A Critical Study. New York: Random House. OCLC 900356.

External links [edit]

Digital collections
Physical collections
  • Eugene O'Neill Papers. Yale Collection of American Literature, Beinecke Rare Volume and Manuscript Library.
  • Eugene O'Neill Papers Addition. Yale Collection of American Literature, Beinecke Rare Book and Manuscript Library.
  • Carlotta O'Neill notebook of letters and photographs, 1927-1954, held by the Billy Rose Theatre Division, New York Public Library for the Performing Arts. The notebook contains handwritten transcriptions by Carlotta O'Neill of letters and inscriptions to her from her husband, Eugene O'Neill, and photographs, mostly portraits of Eugene and Carlotta O'Neill.
Assay and editorials
  • Haunted past Eugene O'Neill—Article in BU Today, September 29, 2009
  • Eugene O'Neill: the sailor, the sickness, the stage from the Museum of the City of New York Collections blog
  • The Iceman Cometh: A Written report Guide
External entries
  • Eugene O'Neill at the Net Broadway Database Edit this at Wikidata
  • Eugene O'Neill at the Internet Off-Broadway Database
  • Eugene O'Neill at IMDb
  • Eugene O'Neill at Playbill Vault (archive)
Other sources
  • Eugene O'Neill official website
  • Casa Genotta official website
  • Eugene O'Neill National Historic Site
  • American Experience - Eugene O'Neill: A Documentary Picture show on PBS Archived February 1, 2017, at the Wayback Auto
  • Eugene O'Neill on Nobelprize.org Edit this at Wikidata
Awards and achievements
Preceded past

Warren South. Stone

 Cover of Fourth dimension mag
March 17, 1924 		Succeeded by

Raymond Poincaré

renedithery.blogspot.com

Source: https://en.wikipedia.org/wiki/Eugene_O%27Neill

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